San Francisco Oracle 4th issue newspaper hippie Timothy Leary LSD Haight Ashbury

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Rare fourth issue - very few printed/available.

The issue is folded in the center but appears to be complete with no writing or anything cut from them. There is yellowing which is expected in newsprint that is almost 50 years old. Some of the edges are a bit rough from storage. It appears that these may have been collected and put away and never really read.

Here's an index to all 12 issues:

#1 (Sept. 1966). The Love Pageant Rally issue. Incl.: feature on Michael McClure's play "The Beard" (+ letters in support from Ginsberg, Creeley and Mailer); a collage by Michael Bowen; Marshall McLuhan; Provos.

#2 (Oct. 1966). The Youth Quake! issue. Incl.: centrefold mandala by Bruce Conner; ads. for the Grateful Dead. 

#3 (Nov. 1966). Ken Kesey's Graduation Party. Incl.: front page photo of Ken Kesey + feature/interview; Chet Helms interview; Gary Snyder - "Buddhism & The Coming Revolution"; John Sinclair column; letters from Ron and Jay Thelin, and "a digger". 

#4 (Nov. 1966). Dr. Leary and The Love Book issue. Incl.: extensive transcript of Timothy Leary's press conference/interview in San Francisco announcing his psychedelic celebrations on the West Coast; "Love Book"/"The Beard" busts; yoga and the psychedelic mind; the Diggers; Ferlinghetti poetry centrespread featuring collage artwork by Michael Bowen; photo of Robert Duncan and Wallace Berman; Fillmore reviews, incl. Bobby Beausoleil and the Chamber Orkustra. 

#5 (Jan. 1967). The Human Be-In issue, with front cover design in colour by Stanley Mouse and Michael Bowen identical to their poster/handbill design. Announces "The Gathering of the Tribes" in Golden Gate Park; extensive interview with Richard Alpert; "Renaissance or Die" centrefold by Rick Griffin; Allen Ginsberg; Michael McClure. 

#6 (Feb.1967). The Aquarian Age issue, with Rick Griffin's psychedelic front cover art of bearded prophet with outstretched arms pouring out urns against a background of coloured rays emanating around him. Preceded by the very rare rainbow-coloured, split-fountain variant. Incl. a photo-collage from the 'Be-In' and a report; a McLuhanite essay by Chester Anderson; John Sinclair ("Firemusic", on the jazz scene); "LSD, Revolution and God", an interview with Paul Krassner; Alan Watts; astrology; Lenore Kandel's "In Transit", with erotic/psychedelic art (by Michael Bowen?); "In The Land Of The Dark The Ship Of The Sun Is Driven By The Grateful Dead" full-page psychedelic artwork by Rick Griffin featuring a negative photo-image of The Dead by Gene Anthony; full-page back cover colour psychedelic art by Rick's wife, Ida Griffin. 

#7 (March/April 1967). The Houseboat Summit issue. Back cover art by Rick Griffin. Contains "Changes", the complete transcript of a taped discussion of counterculture ideals amongst Leary, Ginsberg, Watts and Snyder before an invited audience in Alan Watts' houseboat home in Sausalito, Feb. 5th, 1967.  Full-page ads. for Grateful Dead LP, Kenneth Anger's "Lucifer Rising" (designed by Rick Griffin), Big Brother & The Holding Co. 

#8 (May/June 1967). The Native American issue (negative front cover image). Incl.: psychedelic yoga; Philip Lamantia; Bob Kaufman; collage by Bruce Conner; Kirby Doyle; full-page psychedelic ad. by Tom Weller for Country Joe & The Fish LP.

#9 (Aug. 1967). The Psychedelics, Flowers and War issue. Mandala front cover art (in red & blue) by Bruce Conner. Incl.: Leary & Metzner - "On Programming the Psychedelic Experience"; Haight St. feature; Dane Rudhyar - "The Buddah Mind"; Michael McClure - "Poisoned Wheat". Back cover Mandala Man artwork.

#10 (Oct. 1967). The Politics of Ecstasy issue.  Incl.: William Burroughs - "Academy 23: A Deconditioning"; a 5pp. interview with Timothy Leary conducted by the staff of the Oracle; Lawrence Ferlinghetti; Lew Welch - "Greed". 

#11 (Dec. 1967). The City of God issue, featuring speeches by Buckminster Fuller and Robert Theobald, plus a long poem by Stephen Levine. 

#12 (Jan. 1968). Symposium 2000AD and the Fall issue. Front cover design by Bob Schnepf. Incl.: Michael McClure; Esalen Institute; Carl Rogers; Alan Watts; Philip Whalen, and art by Alton Kelley, and Martin Linhart. 

More from Wiki below:

The Oracle of the City of San Francisco, also known as the San Francisco Oracle, was an underground newspaper published in 12 issues from September 20, 1966, to February 1968 in the Haight-Ashbury neighborhood of that city.[1] Allen Cohen (1940–2004), the editor during the paper's most vibrant period, and Michael Bowen, the art director, were among the founders of the publication. The Oracle was an early member of the Underground Press Syndicate.

The Oracle combined poetry, spirituality, and multicultural interests with psychedelic design, reflecting and shaping the countercultural community as it developed in the Haight-Ashbury. Arguably the outstanding example of psychedelia within the countercultural "underground" press, the publication was noted for experimental multicolored design. Oracle contributors included many significant San Francisco–area artists of the time, including Bruce Conner and Rick Griffin. It featured such beat writers as Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti and Michael McClure.

The initial impetus for the paper came from Allen Cohen and head shop owners Ron and Jay Thelin, who offered to put up the seed money to found an underground paper. In the summer of 1966 a number of meetings were held in the Haight-Ashbury district to discuss the idea of starting a paper, attracting an eclectic group of interested people. The result of these meetings was a paper called P.O. Frisco which lasted for a single 12-page tabloid issue dated September 2, 1966, under the editorship of Dan Elliot and Richard Sassoon (a 31-year-old Yale-educated poet who had once been Sylvia Plath's boyfriend[2]), operating out of a storefront on Frederick Street in cooperation with members of the radical Progressive Labor Party. "P.O." stood for "Psychedelphic Oracle," a title suggested by Bruce Conner. P.O. Frisco was a compromise between the various factions involved in founding the paper which wound up satisfying no one, and the Thelin brothers threatened to terminate their financial support unless the paper was completely reinvented.[3][4]

A second attempt began out of new offices behind the Print Mint on Haight Street, under new editors George Tsongas and John Bronson. The new paper, The San Francisco Oracle, started with issue number #1. This paper did not yet have the dense verbose and graphically rich psychedelic design the Oracle later became famous for, but it soon acquired those attributes. Bronson and Tsongas edited the first two issues of the new Oracle and then left after a fight with Cohen and Gabe Katz, who became the paper's new art editor starting with issue #3 while Cohen took over as editor, a role he maintained until the end.

One week after the redesigned Oracle #3 appeared on the streets around November 8, 1966, editor Cohen was busted in the Thelins' Psychedelic Shop for selling a police vice squad officer a copy of Lenore Kandel's book of verse, The Love Book. This case became a free speech cause célèbre around the country.

The Oracle quickly developed a stable core group of staffers which included, among many others, Michael Bowen, Stephen Levine, Travis Rivers (a Texan friend of Janis Joplin, he was at that time the manager of the Haight Street branch of the Print Mint), George Tsongas, who had returned to the paper, staff artists Dangerfield Ashton, Ami McGill, and Hetti McGee, poet Harry Monroe, Gene Grimm, and Steve Lieper.

After issue #5 the paper moved into the premises formerly occupied by Michael Bowen on Haight near Masonic. The new offices were open 24 hours a day.

Starting with issue #6 the paper switched printers from Waller Press (which later served as the printers for the San Francisco Express Times) to Howard Quinn Printers. At the Howard Quinn shop the paper's artists were allowed to come in on Sundays when the paper was being printed and experiment with the presses, and it was at this time that the revolutionary split-fountain rainbow inking effect was perfected. This involved placing makeshift wooden dams in the ink fountain and using them to feed different colored inks simultaneously into the fountain, which produced a rainbow effect which was a bit difficult to read but visually arresting.

The more colorful Oracle was an instant success and the paper had to go back to press on successive Sundays to run off more copies. The paper's circulation, which had started with a modest 3,000 copies and gradually grew to about 15,000 copies by issue #4 and 50,000 copies by #5, ran off 60-75,000 copies of #6 and even more of #7. Starting with #6 every issue went back to press for at least a second printing, sometimes with changes in content.

At its peak, the publication's print run was about 125,000, but its editors estimated that ample pass-around readership brought their circulation above half a million.[5]

The influential sprawling thematic pieces that ran in the Oracle include the astrologers' symposium on the Age of Aquarius in issue #6, with Ambrose Hollingworth, Gayla (Rosalind Sharpe Wall, an associate of John Starr Cooke), and Gavin Arthur; and the "Houseboat Summit" in issue #7 which brought together Alan Watts, Allen Ginsberg, Timothy Leary, and Gary Snyder for a long, free-ranging discussion on the houseboat owned by Watts and Jean Varda. It began with Watts posing the question "Whether to drop out or take over?" Issue #5, the "Human Be-In" issue, was the launching pad for the Gathering of the Tribes held in Golden Gate Park on January 14, 1967. Issue #12, which was to be the last, featured an uncut transcript of a symposium at Masonic Auditorium entitled "2000 A.D." with Alan Watts, Herman Kahn and Carl Rogers.